Her first album, 1984’s Diamond Life, met with a rapturous reception across continents, going four times platinum in both the United Kingdom and the United States following up on its success, Promise (1985) and Stronger Than Pride (1988) witnessed the band slowly deepening and refining a sound of its own, eventually drawing from jazz, funk, soul, pop, and rock in shifting but roughly equal measures. Sade soon became the main attraction at concerts, her voice drawing sold-out crowds together with three Pride members, she formed a self-titled band and signed with a major label.
Moving to London to study fashion, her fledgling career as a designer and model, as well as any nascent literary aspirations, were put on hold after she found work as a backup singer with the soul band Pride. The daughter of a Nigerian father and English mother, Sade (full name Helen Folasade Adu) was born in her father’s country and raised, after the divorce, by her mother and her family in Essex, where she absorbed much of her grandparents’ Christian socialist beliefs. Yet given that her delivery is instantly recognizable and impossible to replicate, it’s something of a marvel that she almost missed out on singing altogether. Over a career spanning six albums and 33 years, the art of the singer, backed by her band, has never been anything less than inimitable.
If Sade didn’t exist, no one could have invented her.
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